Waiting for a return call

M13 
Messier 13 Globular Cluster

At the darkest part of a June night, you may spot a faint fuzzy patch way up high in
the south. Through binoculars, it appears as a gently glowing ball of light. With a
telescope, you can glimpse its true nature: a cluster of almost a million stars,
swarming together in space.

This wonderful object is known as M 13, because it was the thirteenth entry in the
catalogue of fuzzy objects recorded by the eighteenth-century French astronomer
Charles Messier. We now classify M 13 as a globular cluster. These great round balls of stars are among the oldest objects in our Galaxy, dating back to its birth some 13 billion years ago.

In 1974, radio astronomers sent a message towards M 13, hoping to inform the
inhabitants of any planet there of our existence.  There’s only one problem: M 13 lies so far away that we won’t receive a reply until AD 52,000!!!!!!!!!!!

Sketch was made large on A4 black cartridge paper using white and colored pastels,
while viewing an astrophotograph…the sketch was then scanned and processed in Photoshop CS.

Peter Desypris
Athens, Greece

Schiller Sextet

Schiller Sextet 

 This composite image started out as a single white pastel on black paper
sketch posted on the ‘Cloudy Nights’ sketching forum. As the discussion
around it evolved, other Cloudy Nighters posted their own sketches of this
distinctive crater, and I began to construct the montage seen here in it’s
final form. It is fascinating to see the same lunar feature captured in so
many different styles and with different media. Between us we have covered
nearly three years of Schiller observations, each at around the same
lunation stage of 11-12 days when the local lighting is advantageous and
dramatic. The sketching media used varied between white pastel (or Conte’)
on black paper, and graphite pencil (or charcoal) on white paper.

Equipment used (and magnification):

Sally Russell, 105mm F/6 refractor, 480x
Michael Rosolina, 8″ F/10 SCT, 200-170x
Rich Handy, 12″ SCT, 639x
Eric Graff, 6″ F/6 reflector, 240x
Jeremy Perez, 6″ F/8 Newtonian, 240x
Erika Rix, 70mm ETX, 88x

(With the kind permission of Michael, Rich, Eric, Jeremy and Erika, and with
my thanks to them for generously sharing their sketches and making this
project possible.)
 
Sally Russell

England

About 4.6 billion years ago, few million years after the formation of the proto Earth from the accretion of planetesimals in the nascent Solar nebula, our still molten world would suffer an impact from a another Mars sized protoplanet that would tear almost one fifth of the Earth’s crust and mantle away and scatter a debris cloud into Earth orbit. Soon thereafter this material would coalesce into the early Moon, the building of which would continue as major impacts accumulated over the next few billion years. Although at this time in our early Moon’s past much of the debris had already been swept clear of its orbital path, a close look at Luna herself would have revealed several stragglers, moons of our Moon in close tow. Jostled and buffeted by gravitational forces, these moons were either lost to space, impacted the early Earth, or were pulled inexorably until they plummeted to the lunar surface. Such impacts from degraded orbits share a common attribute, not only on the Moon, but on the other bodies of the Solar System as well. They all show an extremely shallow impact angle, usually in the range of 2 to 3 degrees to the surface. When such a moon strikes a body it will impart most of its kinetic energy longitudinally along its path, carving out a long elliptical shaped crater and sending ejecta laterally across the range. Working in tandem with these very oblique impacts are the tidal stresses that can break apart a small moon, thereby lengthening the “footprint” of the event by allowing space between successive strikes, much as seen in secondary crater chain formation.

Between 3.85 and 3.92 Billion years ago during the Nectarian epoch, one small gleaming moon was tugged and pulled, probably influenced by various mascons that had already developed in the gravitational field of the Moon. Falling out of orbit, it would follow a trajectory that would take it around the far side for the last time. As the little moon fell, tidal stresses split it into two or three large pieces, which traveled together as they continued their descent over the limb and around the southwest highlands, over the craters Gruemberger, Blancanus and finally Scheiner, where they impacted into the Zucchius-Schiller basin, creating the very oblong 174 km x 69 km crater, Schiller. Over the course of the next several hundred million years the flow of mare lavas would fill the basin and the floor of the long deep gouge, covering some the evidence of the violence of this event. So next time you are gazing at the Moon’s southwestern quadrant, stop by Schiller and remember when our Moon had moons.

Rich Handy
Poway, California

Between the ears of the rabbit

Craters Gutenberg and Goclenius 

Craters Gutenberg and Goclenius
  
    In the mid 1600’s Johannes Hevelius named this highland region east of the Sea
of Fertility Colchis (Land of the Golden Fleece) within a few years Giovanni
Riccioli named the same region Terra Manna. Two hundred years later both of
these names disappeared as the craters of the region continued to be named.
This lunar surface being erased by the shadow of the terminator early this morning
is between the ears of “The Rabbit in the Moon”. The largest crater with an
illuminated floor is battered Gutenberg, a 4 billion year old 75 km diameter
formation with a large breaching impact crater (Gutenberg E) on its northeastern
rim. East of the crater the widest and deepest part of Rimae Goclenius was glimpsed
as the seeing periodically improved. Domes in this area could not be seen with
certainty due to poor seeing. Southeast of Gutenberg crater Goclenius a 56 km
Nectarian age crater appears round with a floor in complete darkness. Also close to
the terminator are craters Magelhaens through Colombo.

Sketching:
For this sketch I used: black Strathmore 400 Artagain paper, white and black Conte’
pastel pencils and a blending stump.
Telesccope:10 inch f/ 5.7 Dobsonian and 9 mm eyepiece (161x)
Date: 4-6-2007 7:08-8:20 UT
Temperature: -1.6°C (29°F)
Partly cloudy, breezy
Seeing: Antoniadi IV
Colongitude 133.2 °
Lunation 18.2 days
Illumination 89 %

Frank McCabe

Two thirds the age of the universe

M3 Globular cluster 

Drawing Globulars has always been a nerve-wrecking experience to me, so
many stars, all just lighting up for the split of a second in the corner
of your eye, what do you draw, what can you leave out, what the heck do
you really see?

The more delighting it is, when you suddenly realize, not only you
slowly get the hang of it, but the results are actually not even bad,
maybe even some of the better drawings in your whole catalog.
That’s exactly what happened with M 3, creating it was a pain, but the
result is highly presentable – at least that’s what I think!

The most fascinating thing about Globular Clusters is their age, they are
ancient, they’ve seen aeons on their way around the galactic center,
they’ve inhabitated this Galaxy ages before any human being has ever set
foot on this Earth, ages before Earth even existed. Reason enough to
catch a fleeting glimpse of those objects – measured by our lifespan,
not by theirs, they’re gonna be around long after the human race has
vanished again into the void.

Sebastian Lehner

Date: April 09, 2007
Location: Kegelhaus, Erbendorf, Bavaria, Germany
Instrument: Dobsonian 8″ f/6
Constellation: Canes venatici
Seeing: II of VI
Transparency: III of VI
NELM: 5m5
Magnificaton: 133x

Stealing the flame from Prometheus

Solar prominence 

Observed from Athens through my double stacked PST/ SolarMax 40/TMax Filter at
60X (6.7mm U.W).I took this sketch. This large prominence was on the North limb of
the sun on Wednesday 25th April ’07 was great and beautiful.

Sketch was made large on A4 black cartridge paper using colored pastel.
Coloration was enhanced and processed in Photoshop, after leaving the eyepiece.

Peter Desypris

Darkness over Swansea

Darkness over Swansea 

The lunar eclipse of March 2007 fell over midnight of the 3rd and 4th,
the Moon being in Leo, and in the mouth of the Lion was the planet Saturn. The
sketch is based around 00.30 hours UT, sketched at the top of 600 foot high Kilvey
Hill. The path leading to the summit has a cluster of communication masts on one
side and a Bronze Age burial chamber, now only just visible above the surface, on
the other side. Standing there between the two, looking at the eclipse with the
City of Swansea spread out below, all was very quiet and for once it was a very
clear sky. It felt like a scene out of the fifties TV sci-fi series ‘Quatermass’.
 
J.E. Thomas

Category: Moon – Total Eclipse
Title:  ‘Darkness Over Swansea’
Media: Conte Pastel Pencil on Black Camford Paper
Size: 142 kb

Fire in the sky

The Flame Nebula 

I used a Watec 120N deep sky video camera running through a Synta 6″ F5 refractor to display a real time image of ‘The Flame Nebula’ NGC 2024 on a TV monitor. This image was Superior to that at the eyepiece of my 14″ F5 Newtonian on which the refractor rode even when employing a UHC filter!

Using light weight black card, white watercolour pencils and blending stumps I attempted to record the spectacle as best I could, resulting in this scanned and totally unprocessed image.

Dale Holt

A Glow In The Night

M94 

Messier 94 is a beautiful galaxy in the constellation of Canes venatici;
with a distance of 17 million light years and a diameter of 56000 light
years, it contains about 60 billion sun masses. M 94 is a starburst galaxy.
The conditions, when I observed it, were very good, good transparency
and seeing, so I was able to clearly discern a stellar core, a brighter
inner and a darker outer halo. All of this was embedded into a faint and
distant glow, which faded into nothing at the outer rim.

Sebastian Lehner

Date: March 16, 2007
Location: Steinwald, Bavaria, Germany
Instrument: Dobsonian 8″ f/6
Constellation: Canes venatici
Seeing: I-II of VI
Transparency: I of VI
NELM: 6m4
Magnification:133x
Sketch Medium: White pastels and white ink on black cardboard.

Solar creatures?

Solar creatures? 

We sometimes imagine that clouds take on the shape of creatures.  These
prominences on the south limb of the sun on Sunday 8th April ’07 have been
similarly likened to a firebird, an ostrich, a wasp and a feeding spider.
When actually trying to sketch prominences it is better not to imagine such
things or else the drawings will tend to drift irresistibly towards the
imagined beasts!

These prominences were in any case very difficult to render.   They were
changing literally from minute to minute and were also ‘upside down’ in the
eyepiece.   The changes were so great that I started to wonder whether I had
got their structure at all correct but later comparison with images taken at
about the same time were reassuring.

Observed from England through a single stacked SolarMax60 H-alpha ‘scope at
50-80X.   There were varying amounts of high altitude cirrus haze but some
moments of high contrast clarity and atmospheric steadiness.   Sketches were
made large on A4 Canford black cartridge paper using white Derwent Studio
and Derwent Watercolour pencils, the latter dry.   Coloration was done in
Photoshop, this was the only modification made to the sketches after leaving
the eyepiece.

Les Cowley

Lunar luminaries

2006 07 07

Lansberg/Gamma and Delta

“Wednesday night (Thursday for UT), was a practice session for imaging with my
Rebel.  I finally bought a t-ring adaptor during a star party a few weeks ago and
had some fun playing with the new toy. The guys in the DSLR forum are giving me some
great pointers.  Feels very strange entering that realm, but I have a feeling it
will compliment the sketching well for my observations.  Plus gives me yet another
way to enjoy this hobby to the fullest!

It was then time to put the camera away and dig out my sketch kit.  Paul, being the
thoughtful husband that he is, bought Tom L’s binoviewers for me last month.  Tom,
if you’re reading this, I absolutely LOVE them!  Wow!  Thank you both so much!!!
I’ve been having a lot of fun with black Strathmore paper and Conte’ crayons for my
solar work, so with Rich in mind, I got up the nerve to try my first lunar sketch
with this media. Lansberg and the surrounding craters were my main targets that
night.  I explored the terminator, tried to count craterlets in Plato, and admired
Copernicus (and was tempted to try it again, as the last time I tried to sketch that
beauty, my sketch was cut short and it was never completed).

Lansberg is from the Imbrian period and is about 41km.  The central mountains stuck
out like two eyeballs in a dark room and I was pleased to see some terracing.  All
the little craterlets around Lansberg belong to it with Kunowsky D being the
exception to the NW.  Reinhold is trying to slip into the scene to the NE, but got
its toe stuck in the door.  Montes Riphaeus was very dramatic, or at least compared
to the rest of the scene in that area.

Lansberg

After a great day today, which included solar observing (boy, that sun feels
great!), I set up with the binoviewers again tonight.  Although seeing was poor, I
went ahead and bumped up magnification with 8mm TV Plossls (love that EP so much, I
had to get another one!).  It was good enough to support the level of detail needed
to observe domes.  Had I wanted to jump into a few complex craters, I believe a 20mm
would have been best.  So, domes it was and why not a pair?  Mons Gruithuisen Delta
and Gamma were flagging me down and I just could not resist. 

Gruithuisen Domes Delta and Gamma

They are also from the Imbrian period and close to 20km each.  Looking at VMA, Delta
is classified as a mountain and Gamma is a dome.  Rukl calls both of them a domelike
mountain massif.  Hmmm, let’s see what Chuck Woods has to say about them.  Aha!  He
calls them domes, most likely formed of silicic volcanic rocks.  For more reading on
this, see The Modern Moon, page 37.  I would love to be one of the geologists that
Chuck suggests may someday bang on the domes with their rock hammers to see what
they are made of.
It was a bit disappointing that I didn’t see the summit crater on Gamma, but there
was an obvious darkened area on the western top portion of it.  I loved buzzing
around in the all the little dips and valleys to the north of it, though.  The
little raised line between Gamma and Gruithuisen K looked like a pea pod. Isn’t the
lava covered floor beautiful in that region?”
Sketches done with black Strathmore Artagain paper and white Conte’ crayons

Erika Rix

Zanesville, Ohio