I send you the great eclipse of the sun from Trondheim, Norway.
with 94% of the sun eclipsed!
I also measured the temperature (in shadow) before and during
the eclipse. The sky was clean until just before the end of the partial
phase. I enjoyed the max. partial phase very much. Beautiful!!!
I used crayons (watercolor) on black paper.
Object Name (Venus, Mars, Uranus)
Object Type (Planet conjunctions)
Location (Artignosc-sur-Verdon – Provence, France)
Media (graphite pencil, watercolour pencils, white watercolour paper, Paint.net)
I always have issue to find Uranus, without GoTo, it’s not so easy…and I don’t like facility…
Thinks are moving in our planet system. It’s why “planetos” in Greek means “vagabond”.
So I use the opportunity of this double conjunction just a week from each other to find Uranus and its so nice colour.
The Venus-Uranus separation was 5.2’ Venus was 10’000 more brilliant than Uranus, while the separation between Mars and Uranus, one week later was 16.25’
The faint K star between Mars and Uranus is HIP 4325 mag=9.5, so no Uranus satellites were visible with my material.
I sketch the two fields on white watercolour paper with inverted method using a chromatic wheel, orange for Venus, blue for Mars and crimson red for Uranus then I just have to invert the two sketches after scanning. The deal is to manage the colour values in inverted mode.
Clear sky to you all, and for some of you I wish you a nice eclipse on Mart 20.
I think what I like best about solar observing is you never know what you will find going on! This large prominence at the eastern limb appeared extraordinary in its detailed and lacey appearance. Seeing was very good and at higher magnification a network of bright areas appeared, much like a picture of a neuron cell with branching filaments extending in all directions. Tilting Sun Graphics are used to denote prominence location.
h-alpha 60mm Lunt
0945-1020 HST (1945-2020 UT)
Black Canson paper, white & black charcoal pencil, watercolor pencil & Conte’ Crayon
Tilting Sun Graphics
Cindy (Thia ) L. Krach
Haleakala Amateur Astronomers
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Every Christmas Eve, my family treks to the top of Haleakala to feel the chill and look for Santa’s Sleigh. This year we went to the 10,000 el to find it a cold 36*, wet, and blowing rain. After a few minutes we jumped back into the car a bit disappointed, to descend the mountain. Right before the park exit the sky had mostly cleared and the winds calmed. There we hiked under the “smiling” Hawaiian crescent. Chilled cheeks and fingers, it was perhaps one of the nicest Christmas Eves ever. This sketch was drawn from my memory of the evening.
In the winter months the path of the Moon is more parallel with the horizon giving the lunar crescent in Hawaii a bowl or smile like appearance when lit from the already set sun. Ancient Hawaiian’s called this the “wet moon” because it looks like a bowl that could be filled up with rain. As the winter moves into Spring & Summer the crescent shifts to “pour” water onto the land, empties and becomes a “dry moon” once more. Wet moons occur routinely in the tropics where the sun and moon rise and set nearly vertically.
3.5 day old Crescent Moon & Mars
12/24/14 1930 HST
Haleakala National Park, Hosmers Grove
Black Canson paper with colored Conte’ Crayon and watercolor pencils
Cindy (Thia) Krach
Webmaster’s note: Wishing all astrosketchers a Very Happy New Year and looking forward to another year hosting all your wonderful observational sketches!
Another Sunday morning spent happily with the Sun. Today the first prominence that struck me was one that had the appearance of a very fine “tree” near a “bridge”. The details & seeing were excellent today and I could make out swirling and looping details within the prominence, a lacy network of light and dark. The prominence could be seen spilling onto the solar surface as a filament.
I usually just cant leave done alone, so I tried some different things to colorize and experimented with Photoscape software. I fell upon the magic button – something called color balance. What fun to add color and see more of what I observed in the eyepiece!
Lunt 60mm PT
14mm & 6mm
Black Strathmore paper, Conte’ white crayons and watercolor pencils
This week has been fascinating observing the giant sunspot region 2192 making its way across the solar disc. I was working today to demonstrate the details of the intricate swirls of magnetic activity around the sunspot and filament regions. I utilized the Tilting Sun graphic again for this observation though it is reversed from a standard view to demonstrate my view through the eyepiece.
Solar Observation 10-26-14
h-alpha Lunt PT 60mm 83X
Black paper, white charcoal, black and white oil pencils, wax pencils and watercolor pencils
Tilting Sun graphics added in Photoscape
Probably my best Jupiter of the season so far, a 6 hour strip map showing over half of the surface of the planet which I drew back on the night of 05-06 December 2012. I made the drawing with my 8 inch Newtonian Reflector here in Leicester, UK. I make the original drawings at the telescope in black and white and then use water colour pencils to make a colour version indoors.
Dr. Paul G. Abel,
Centre for Interdisciplinary Science
Department of Physics & Astronomy,
University of Leicester,
Leicester UK, LE1 7RH.
Hi all! I present to You a sketch made by a 9yo child, Her name is Wiktoria Janowska. I met Her at the Zelow Observatory a couple days ago. She’s very, very clever n lovely little woman. Well, sometimes her fantasy dominated over realism. She saw a lot of details, maybe a little too much 😀
I hope You like it 🙂
Wiktoria Janowska, 9yo
Zelow, Central Poland
White watercolor crayon on black paper
Coronado PST DS (with Lunt etalon filter)+ Baader Zoom MARK III
Wiktoria Janowska & Damian Kępiński (ASTROOKIE)