Todays solar surface showed some interesting features that I tried to capture. There were a lot of long detailed filaments as well as a region to the east that looked like a piece of silk that had been crinkled and then flattened. To the west of this area was a brightening plage, at the moment the brightest region in the observation besides a bright spike on the limb. The prominences to the north were more subtle and dim.
White sketch paper
Grey charcoal, Tombow pencils 2H, 6B
White acrylic paint (plage)
Photoscape to adjust contrast
60mm Lunt h-alpha 36x
3/21/2015 2010-2035 UT
Seeing Wilson 4/5 Transparency 2/4
Cindy (Thia) L. Krach
Objet Type: Sun Ha
Location: Panama city, Republic of Panama (Central America)
Date: December 24 , 2014
Media: graphite pencil , white paper and Phto Zone to invert, color tone and text.
Telescope: Meade Coronado PST – H alpha, 40/400.
This week has been fascinating observing the giant sunspot region 2192 making its way across the solar disc. I was working today to demonstrate the details of the intricate swirls of magnetic activity around the sunspot and filament regions. I utilized the Tilting Sun graphic again for this observation though it is reversed from a standard view to demonstrate my view through the eyepiece.
Solar Observation 10-26-14
h-alpha Lunt PT 60mm 83X
Black paper, white charcoal, black and white oil pencils, wax pencils and watercolor pencils
Tilting Sun graphics added in Photoscape
Object Name Sun
Object Type H alpha with PST, XW-10
Location Tokyo japan
Media Black/red pencils on a white paper. Contrast adjusted with PC.
This my first submission to the site. I hope it is acceptable.
An M-class flare has erupterd at #2172 about one hour after this sketch. I could already see some active regions between the two sun spots.
Object Name (H alpha Sun )
Object Type (Nice dwarf star)
Location (Artignosc-sur-Verdon, France)
Date (2014/09 – 19 & 20)
Media (graphite pencil, white paper, my digital tool is Paint.net to add colours via layers)
What a bad weather! Even the “day of the night” becomes the “day of the rain”, what a season.
But here around we are not too complaining. For my cloudy friends, I made a couple of solar sketches to prove that the sun still exist !
Both sketches and zooms are done in 30 minutes, at 15:30 UT Sept. 19th and the day after, same period, with my mini-Lunt35T and SWA 10mm EP.
The prominences that rises are damn pretty and clustered around the equator as it should be at the end of a solar cycle.
Date and time: 25th July 2014, UT 15:30
Place: Tarjan, Hungary (Astronomy Camp of the Hungarian Astronomical Association)
Equipment: 35/400 H-alpha Lunt LS35T, 12 mm
I used colour aquarel pencils on special aquarel paper.
First International Sun-Day
· Object Name (International public event)
· Object Type (Sun)
· Location (Varages – Provence France)
· Date (2014 June 22)
· Media (graphite pencil for the sun, water ink and watercolour for the scenery, white paper, Paint.Net to assemble)
This first International sun-day was a good time to show the sun to the public, today in the north hemisphere the day is much longer than the night. The day before, the local radio broadcast make our promotion. With the local association “AAP” (Association – Astronomie – Provence) of Varages we had good time and very nice public. Despite the fact that the sun was quite calm, we can show a very tiny archipelago of sun-spots on the middle of the disk as well as some spots neat the limb. Anyway, the proms make our day; they are much more attractive for the public today.
To sketch the H-alpha part of the sun (here the portion out of the disk) I used a Coronado 60mm refractor with a focal length of 1000mm ; for the inner portion, the disk in Wight Light, I used my 102mm refractor, same focal length with glass objective filter.
I was enjoying the Sun this morning and trying to decide how to represent the most prominent features. Sketching the Sun has just not gotten me the feeling that I can really represent it as well as I would like to as far as colorizing goes. I like using black paper but it isn’t smooth enough whereas plain white paper is. But when I have tried to add color later, it just loses what I see in the scope.
So today I tried a little something different. I like how some inverted blue colors really become the right colors for the Sun. So I put some oil pastel colors to paper & inverted to see what I could use. The nice thing about the oil pastel is I can scratch off small little lines to try to get the details of the solar surface. I had to think in negative to produce the sketch in order to preserve black, white and the different tones of red. This is my 1st attempt using this technique and I am not entirely happy with it but it is a bit of an experiment.
60mm Lunt 88x
Oil Pastel, white permanent pen, white paper, Lyra polycolor pencils, a needle to scratch off the oil pastels to produce dark lines
Inverted with Photoscape software
From time to time, with friends, we animate minor scientific events in small Provencal villages.
Today March 19th we were in Varages with the local AAP astro club. Fifty kids and residents came to have a look at our star’s volatile proms in H-alpha and some nice spots archipelago’s in WL. We used 3 refractors, a Lunt 35mm a Coronado 60mm and a classical 102/1000 for the WL. The annexed sketch was done in H-alpha, directly on site, to show to the spectators, what can be seen through our material. In parallel some of our wife’s are trying to explain that our sun is a star.