Of cloisters, comets and clusters

Comet, Star Cluster-open 

Back in the late spring of 2004 I had the opportunity to attend an astronomy
evening at the old Royal Greenwich Observatory (RGO) at Herstmonceux in
Sussex, England. The weather was dreadful, stormy and rainy, when the
evening began, but by the time the lecture had finished the skies were
clearing rapidly and we were able to catch sight of Comet C/2001 Q4 (NEAT),
a fleeting visitor gracing the region of the ‘Beehive’ cluster (M44) at this
time. The comet was just visible as a naked eye object, but binoculars gave
the best view. This is a reworked pastel and acrylic sketch from my
original, very hastily scribbled graphite binocular sketch. One of the
distinctive copper observatory domes provides foreground interest.

Sketch details:

10 x 50 Zeiss binoculars

16th May 2004, 23.05 UT

RGO, Herstmonceux, Sussex, England

Coloured and white chalk pastel (plus white acrylic for the cometary nucleus
and star images) on black Canford card

Sketch size 8″ x 10″

Sally Russell

Berkshire, England

Lady Luna meets the Lord of the Rings

Saturn and the Moon 

Saturn Occultation May 22nd 2007

I was not expecting to catch a glimpse of Saturn in a daylight sky, no way was I ready for that amazing vision. In my first look there was the white ringed planet right in front of me, in a blue blue sky heading into the invisible limb of the moon.

I just had to try to capture it, in some way, so I drew it quickly on black paper and then watched and waited until she began to vanish into nothing!!

I set up my easel and I began to sketch the moon through wispy cloud while I waited for Saturn to emerge from behind the lunar sphere. As she reappeared one hour or so later there was a wonderful change in her color against the darker sky. She was so tangerine, she was so beautiful. Saturn and her invisible icy orbs appeared to be flying along as our moon moved and glided out of her majestic way.

Deirdre Kelleghan

Bray, Co Wicklow Ireland

200mm Reflector/10mm eyepiece – 120X 19:01UT

200mm Reflector/ Binoviewer 20mm eyepieces/2X Barlow – 120X 20:09 UT

300gm paper/Soft Pastels/Quiling Needle

A Trip Down Memory Lane

Bode’s Galaxy 

As with all Galaxies, looking at Messier 81 is another trip down the
collective memory lane of the Universe. Twelve million years – that’s
the age of the light reaching us from Bode’s Galaxy and by cosmical
standards that’s not even really old.

Just like M 82, its edge-on partner galaxy, M 81 is well worth a closer
look, even though the number of visible detail is by far smaller than in
M 82.

What you can actually see is a bright core and a diffuse halo, quickly
dropping of in brightness from the center to the edges and with only
undefined detail visible.

Still Bode’s Galaxy belongs to the brightest and most fascinating
objects of its kind, a must-see for any astronomer out there in search
of a good view.

Date: April 12, 2007
Location: Kegelhaus, Erbendorf, Bavaria, Germany
Instrument: Dobsonian 8″ f/6
Constellation: Ursa major
Seeing: II of VI
Transparency: II of VI
NELM: 6m0
Magnification: 133x

Sebastian Lehner

Celestial Cigar

M82 

Wow, taking a closer look at the Cigar is really worth the effort. After
a drawing of M 82 together with its companion M 81, I took the advice to
have a closer look seriously and I haven’t regretted it in the least.
Just look at how much detail becomes visible after only half an hour of
observation, it might definitely be worth another visit anytime soon to
work up further features of this wonderful object. A bright core, light
and dark lanes, circular structures, it’s all there, ready to be
discovered by the avid eye of the observer.

Date: April 12, 2007
Location: Kegelhaus, Erbendorf, Bavaria, Germany
Instrument: Dobsonian 8″ f/6
Constellation: Ursa major
Seeing: II of VI
Transparency: II of VI
NELM: 6m0
Magnification: 133x

Sebastian Lehner

Heavy light

Heavy light 

Cardanus, Krafft, Eddington,Seleucus,Briggs, Briggs B, W Oceanus Procellarum
South Telescope build by Grubb Dublin 1868

Fl ? 18Ft 10.7inches/Objective 11.75 inches

Eyepiece? Objective by Cauchoix 1829
Dunsink Observatory Dublin
53° 22′ 60N  6° 19′ 60W
April 30th 2007
20:50UT – 21:57UT
Lunation 13.43 days
Illumination 98%
Seeing 1-2
T poor/hazy
300gm Daler Paper/Daler Soft Pastels/Conte Crayons/ Quilling
needle/Blending stick

   

I was fourteen years when old I first looked through the South Telescope in Dunsink Observatory. I had pestered my dad to bring me out there, a bit of a long drive in those days, before motorways.

Jupiter was on view that evening, it was crystal clear.  The planet must have been quite high as I could look through the Grubb standing up.

I had my own little Tasco scope on a plastic tripod at the time not much to see in it, but the moon always got a look. Ever since I wanted to revisit that moment and look once again through the eyepiece of this well constructed classic telescope. Over the years I paid several visits to the observatory public nights, but always cloud or rain or both.

I got an idea in my head a few months ago, I asked for time to sketch something through the eyepiece this request yielded a positive answer, but it took time to set up.

April 30th 2007 I got a phone call from, let’s say my host in Dunsink “would you like to try tonight”? I was out the door and on the M50 with my gear in less then 10 minutes, an hour’s drive to the Observatory.

I was greeted warmly and the dome was opened, the scope set up, the steps in place.

My position for the next hour and ten minutes was probably the most uncomfortable sketching position in which I had ever worked. I was neither seated or standing, no tracking, and a big telescope to move.

 The Grubb was so well balanced, easy to use, a joy to hold, and a privilege to use.

 Left alone for the most part I quickly got into my zoned in or zoned out

 (depends on your point view) sketching mode.

The eyepiece was low powered generating most likely 125X, used for public viewing, other eyepieces maybe available if I get to repeat this astronomical adventure.

Apart from the difficult sketching position, I felt so at home in Dunsink Observatory, it felt so moreish. Up and down moving the steps, to follow the Moon as she charged along heading for her bed. My concentration waned after an hour, more work to do than in my garden. I was stiff the next morning but I was high as a kite, I got to do something with this instrument made so carefully many years ago in Dublin. A full circle moment in my life, moments that seem to happen with more frequency these days.

In brief periods, when the image was still I could see much more detail and fine tones of grey than in my Dob. Eddington gave me great shapes and that ridge was so so slender, only 2% of the Moon was in darkness and even a little of that was seeping through the blackness into the day.

I admire Arthur Stanley Eddington for his communication prowess during his life.

A poem he wrote came to mind on the way home,

Oh leave the Wise our measures to collate
One thing at least is certain, light has weight
One thing is certain and the rest debate
Light rays, when near the Sun, do not go straight. “ A.S.Eddington

Apart from this poem being about gravitational lensing, the phrase “light has weight” sticks out to me as an artist. Drawing in the sunlit wall on the western side of Eddington, 138km or so of sunlit weight, which was up till that lunation invisible, non existing until our sun made it so.

A Herald of Summer

M57 

In April, later a night, a bright star comes crawling above the horizon
in the East, dragging behind it a constellation, well-known to even the
youngest of astronomers, and all at once you know that Summer is
approaching again. Wega and with it the Constellation of Lyra is rising
again, bringing with it one of the most famous objects of the summer sky,
if not one of the most famous objects of the sky altogehter: M 57,
the Ring Nebula.

This was my second attempt at sketching it, this time I used an
OIII-filter and there is no way of telling what a difference it made.
The nebula, which had before just appeared as an even ring with a
somewhat milky center, suddenly started to reveal many details, darker
and lighter areas, an elongated halo – all of which convinced me that
apart from a good sky and obersving experience an OIII-filter is one of
the most powerful tools at the hands of an observer of planetary nebulae.

The drawing, which was done with white pastels on black cardboard again,
turned out pretty well.

Sebastian Lehner

Waiting for a return call

M13 
Messier 13 Globular Cluster

At the darkest part of a June night, you may spot a faint fuzzy patch way up high in
the south. Through binoculars, it appears as a gently glowing ball of light. With a
telescope, you can glimpse its true nature: a cluster of almost a million stars,
swarming together in space.

This wonderful object is known as M 13, because it was the thirteenth entry in the
catalogue of fuzzy objects recorded by the eighteenth-century French astronomer
Charles Messier. We now classify M 13 as a globular cluster. These great round balls of stars are among the oldest objects in our Galaxy, dating back to its birth some 13 billion years ago.

In 1974, radio astronomers sent a message towards M 13, hoping to inform the
inhabitants of any planet there of our existence.  There’s only one problem: M 13 lies so far away that we won’t receive a reply until AD 52,000!!!!!!!!!!!

Sketch was made large on A4 black cartridge paper using white and colored pastels,
while viewing an astrophotograph…the sketch was then scanned and processed in Photoshop CS.

Peter Desypris
Athens, Greece

Schiller Sextet

Schiller Sextet 

 This composite image started out as a single white pastel on black paper
sketch posted on the ‘Cloudy Nights’ sketching forum. As the discussion
around it evolved, other Cloudy Nighters posted their own sketches of this
distinctive crater, and I began to construct the montage seen here in it’s
final form. It is fascinating to see the same lunar feature captured in so
many different styles and with different media. Between us we have covered
nearly three years of Schiller observations, each at around the same
lunation stage of 11-12 days when the local lighting is advantageous and
dramatic. The sketching media used varied between white pastel (or Conte’)
on black paper, and graphite pencil (or charcoal) on white paper.

Equipment used (and magnification):

Sally Russell, 105mm F/6 refractor, 480x
Michael Rosolina, 8″ F/10 SCT, 200-170x
Rich Handy, 12″ SCT, 639x
Eric Graff, 6″ F/6 reflector, 240x
Jeremy Perez, 6″ F/8 Newtonian, 240x
Erika Rix, 70mm ETX, 88x

(With the kind permission of Michael, Rich, Eric, Jeremy and Erika, and with
my thanks to them for generously sharing their sketches and making this
project possible.)
 
Sally Russell

England

About 4.6 billion years ago, few million years after the formation of the proto Earth from the accretion of planetesimals in the nascent Solar nebula, our still molten world would suffer an impact from a another Mars sized protoplanet that would tear almost one fifth of the Earth’s crust and mantle away and scatter a debris cloud into Earth orbit. Soon thereafter this material would coalesce into the early Moon, the building of which would continue as major impacts accumulated over the next few billion years. Although at this time in our early Moon’s past much of the debris had already been swept clear of its orbital path, a close look at Luna herself would have revealed several stragglers, moons of our Moon in close tow. Jostled and buffeted by gravitational forces, these moons were either lost to space, impacted the early Earth, or were pulled inexorably until they plummeted to the lunar surface. Such impacts from degraded orbits share a common attribute, not only on the Moon, but on the other bodies of the Solar System as well. They all show an extremely shallow impact angle, usually in the range of 2 to 3 degrees to the surface. When such a moon strikes a body it will impart most of its kinetic energy longitudinally along its path, carving out a long elliptical shaped crater and sending ejecta laterally across the range. Working in tandem with these very oblique impacts are the tidal stresses that can break apart a small moon, thereby lengthening the “footprint” of the event by allowing space between successive strikes, much as seen in secondary crater chain formation.

Between 3.85 and 3.92 Billion years ago during the Nectarian epoch, one small gleaming moon was tugged and pulled, probably influenced by various mascons that had already developed in the gravitational field of the Moon. Falling out of orbit, it would follow a trajectory that would take it around the far side for the last time. As the little moon fell, tidal stresses split it into two or three large pieces, which traveled together as they continued their descent over the limb and around the southwest highlands, over the craters Gruemberger, Blancanus and finally Scheiner, where they impacted into the Zucchius-Schiller basin, creating the very oblong 174 km x 69 km crater, Schiller. Over the course of the next several hundred million years the flow of mare lavas would fill the basin and the floor of the long deep gouge, covering some the evidence of the violence of this event. So next time you are gazing at the Moon’s southwestern quadrant, stop by Schiller and remember when our Moon had moons.

Rich Handy
Poway, California

Two thirds the age of the universe

M3 Globular cluster 

Drawing Globulars has always been a nerve-wrecking experience to me, so
many stars, all just lighting up for the split of a second in the corner
of your eye, what do you draw, what can you leave out, what the heck do
you really see?

The more delighting it is, when you suddenly realize, not only you
slowly get the hang of it, but the results are actually not even bad,
maybe even some of the better drawings in your whole catalog.
That’s exactly what happened with M 3, creating it was a pain, but the
result is highly presentable – at least that’s what I think!

The most fascinating thing about Globular Clusters is their age, they are
ancient, they’ve seen aeons on their way around the galactic center,
they’ve inhabitated this Galaxy ages before any human being has ever set
foot on this Earth, ages before Earth even existed. Reason enough to
catch a fleeting glimpse of those objects – measured by our lifespan,
not by theirs, they’re gonna be around long after the human race has
vanished again into the void.

Sebastian Lehner

Date: April 09, 2007
Location: Kegelhaus, Erbendorf, Bavaria, Germany
Instrument: Dobsonian 8″ f/6
Constellation: Canes venatici
Seeing: II of VI
Transparency: III of VI
NELM: 5m5
Magnificaton: 133x

Stealing the flame from Prometheus

Solar prominence 

Observed from Athens through my double stacked PST/ SolarMax 40/TMax Filter at
60X (6.7mm U.W).I took this sketch. This large prominence was on the North limb of
the sun on Wednesday 25th April ’07 was great and beautiful.

Sketch was made large on A4 black cartridge paper using colored pastel.
Coloration was enhanced and processed in Photoshop, after leaving the eyepiece.

Peter Desypris